In a manner of speaking they are doing just that. The focus on non productive fetal stem cells is part of a delusion that the youth of the donor increases the productivity of the stem cells. Not only does it result in the destruction of the donor it has so far only spawned a further blood lust for the lives of the unborn and lead to cancerous growths in all test subjects.

Pre-Historic Art

Palaeolithic

The earliest figurine yet discovered come from between 500,000 and 300,000 BC, during the Middle Acheulean period. Discovered in Morocco, it is about 6 centimeters long. Evidence suggests that this Moroccan piece may have been created by natural geological processes with a minimum of human tool-work, but the piece bears evidence of having been painted; "a greasy substance" on the stone's surface has been shown to contain iron and manganese and indicates that it was decorated by someone and used as a figurine, regardless of how it may have been formed.

Discoveries in Blombos cave, situated in South Africa, have totally changed the history of art. Stones were discovered that were decorated with complex red arrays, showing that early Homo Sapiens Sapiens were capable of abstraction and production of art. These impressive works date back from 70,000 years ago i.e. more than 50,000 years compared to Lascaux in France.

Venus of WillendorfThe earliest known European art is from the upper palaeolithic period and includes both cave painting, such as the famous paintings at Lascaux, and portable art, such as animal carvings and so-called Venus figurines like the Venus of Willendorf.

There are some speculations that only Homo sapiens is capable of artistic expression. However, Homo erectus had long before produced seemingly aimless patterns on artifacts such as is those found at Bilzingsleben in Thuringia, and these might be understood as a precursor to art, as well as to reveal some intent of the artificer to decorate, to fashion beyond practical necessity.

The symmetry and attention given to the shape of a tool has led authors to see middle palaeolithic hand axes and especially laurel points as artistic expressions as well. The Venus of Berekhat Ram (Israel) and its counterpart in Morocco, the Venus of Tan-Tan, from 800,000 and 220,000 BC, may be the earliest attempts to recreate the human form. A recent find, the Mask of La Roche-Cotard in France, now suggests that Neanderthal humans may have developed a sophisticated and more complicated artistic tradition.

Drawing of bracelets from Mousterian period.Later findings from terrains of Ukraine (Mizyn archeological site) dated from Mousterian epoch of Paleolithic are Mammoth ivory bracelets with carved meander ornaments.

Mesolithic

The Mesolithic period has some examples of portable art, like painted pebbles (Azilien) from Birseck, Eremitage in Switzerland, and in some areas, like the Spanish Levant, stylized rock art. Patterns on utilitarian objects, like the paddles from Tybrind Vig, Denmark, are known as well.

Neolithic

According to archeological evidence, the Jomon people in ancient Japan were the first to develop pottery, dating to the 11th millennium BC. The Jomon people were making clay figures and vessels decorated with patterns made by impressing the wet clay with braided or unbraided cord and sticks with a growing sophistication. See Jomon.

Free standing sculpture had already begun by the Neolithic, the earliest being the anthropomorphic figurines, often embellished by animals from the very beginning of the Neolithic discovered in Nevali Cori and G?bekli Tepe near Urfa in eastern Turkey, dating to ca. 10th millennium BC. The mesolithic statues of Lepenski Vir at the Iron Gorge, Serbia and Montenegro date to the 7th millennium BC and represent either humans or mixtures of humans and fish.

In Central Europe, many neolithic cultures, like Linearbandkeramic, Lengyel and Vinca, produced female (rarely male) and animal statues that can be called art. Whether the elaborate pottery decoration of, for example, the ?eliesovce and painted Lengyel style are to be classified as art is a matter of definition.

Megalithic monuments are found in the Neolithic from Portugal to the British isles and Poland. They start in the 5th Millennium BC, though some authors speculate on mesolithic roots. Because of frequent reuse, this is difficult to prove.

While the most well-known of these is Stonehenge, where the main structures date from the early Bronze age, such monuments have been found throughout most of Western and Northern Europe, notably at Carnac, France, at Skara Brae in the Orkney Islands, in Portugal, and in Wiltshire, England, the area of Stonehenge, the Avebury circle, the tombs at West Kennet, and Woodhenge.

One tomb found in New Grange, Ireland, has its entrance marked with a massive stone carved with a complex design of spirals. The tomb of Knowth has rock-cut ornaments as well; one of them may be the oldest known image of the Moon. Many of these monuments were megalithic tombs, and archaeologists speculate that most have religious significance.

Bronze Age

During the 3rd millennium BC, however, the Bronze Age began in Europe, bringing with it a new medium for art. The increased efficiency of bronze tools also meant an increase in productivity, which led to a surplus - the first step in the creation of a class of artisans. Because of the increased wealth of society, luxury goods began to be created, especially decorated weapons.

Examples include ceremonial bronze helmets, ornamental ax-heads and swords, elaborate instruments such as lurer, and other ceremonial objects without a practical purpose. Rock art, showing scenes from the daily life and religious rituals have been found in many areas, for example in Bohusl?n Sweden and the Val Carmonica in Northern Italy.

Iron Age

The Iron age saw the development of anthropomorphic sculptures, such as the warrior of Hirschlanden, and the statue from the Glauberg, Germany. Hallstatt artists in the early Iron Age favoured geometric, abstract designs perhaps influenced by trade links with the Classical world.

The more elaborate and curvilinear La T?ne artistic style developed in Europe in the later Iron Age from a centre in the Rhine valley but it soon spread across the continent. The rich chieftain classes appear to have encouraged ostentation and Classical influences such as bronze drinking vessels attest to a new fashion for wine drinking. Communal eating and drinking were an important part of Celtic society and culture and much of their art was often expressed through plates, knives, cauldrons and cups. Horses' tack and weaponry were also subjects deemed fit for elaboration. Mythical animals were a common motif along with religious and natural subjects and their depiction is a mix between the naturalistic and the stylised.

Megalithic art was still practised, examples include the carved limestone pillars of the sanctuary at Entremont in modern day France. Personal adornment included torc necklaces whilst the introduction of coinage provided a further opportunity for artistic expression. Although the coins of this period are poorly made derivatives of Greek and Roman types, the more exuberant Celtic artistic style is still visible.

The famous late fourth century BC chariot burial at Waldalgesheim in the Rhineland produced many fine examples of La T?ne art including a bronze flagon and bronze plaques with repouss? human figures. Many pieces had curvy, organic styles though to be derived from Classical tendril patterns.

In much of western Europe elements of this artistic style can be discerned surviving in the art and architecture of the Roman colonies. In areas where Roman influence was missing altogether, the later Iron age artistic tradition continued well into the historic period, perhaps most famously in Ireland and Northumbria.

About the Author

Mcmillan is an expert author, who is presently working on the site 1startclub. He has written many articles in various topics. For more information about fine art oil painting reproductions. Visit our site 1startclub.com